Tuesday, August 9, 2011

Quite an experience to live in fear, isn't it?


Plans for a remake of eighties classic DirtyDancing appear to be inexplicably still steaming away, much to my confusion and mild concern.

But don't worry, fellow, DD fans, I'm sure the remake is in safe hands, the kind of hands that will deliver a better-than-the-original remake as was the case with, say, the brilliant Dirty Rotten Scoundrels or the charming Ocean's 11. Or at least they'll manage a so-so job along the lines of The Birdcage, The Thomas Crowne Affair or The Italian Job.

Or... maybe not, considering it's apparently been placed in the hands of High School Musical director Kenny Ortega. Zac Efron, presumably, is busy working on his lifts. No, wait, Beiber, I'm tipping Beiber to be the new Swayze. (In related news, I'm also tipping a swathe of mass suicides among children-of-the-eighties.)

In the wake of this devastating news (and coming so soon on the travesty that was The Karate Kid) I've come up with my list of the Top Five Eighties Movies I Never Want To See Remade In My Lifetime.

1. The Princess Bride. A true gem of a film that you either love or... haven't seen. In my mind an all-but perfect film that works not only in spite of its flaws (see: the slightly shoddy special effects. Rodents of unusual size anyone?) but because of them. My only hope is that studio execs realise that the film is now SO well known and loved by many that any new actors pushed into the familiar roles would seem like imposters.

2. Ladyhawke. Try and explain this film to anyone who hasn't seen it ("there's a dude who's sometimes a wolf and then Michelle Pfeiffer is, at other times, a bird...") and you sound nuts. Okay, the plot IS nuts and the film only works because of the brilliant casting and actors who seriously commit to material that could be, in lesser hands, slightly giggle-worthy. See Matthew Broderick's charm, Rutger Hauer's smoldering intensity and Pfeiffer's general, you know, hotness.

3. Bladerunner. Because no, just no.

4. Ferris Bueller's Day Off. I keep expecting this one to happen. I'm sure that in a studio office somewhere it has been pitched and wisely rejected. Sure, at the moment it seems ridiculous that anyone else could step into Matthew Broderick's shoes and try to recapture the pure joy of the original but I swear it's only a matter of time. And ten bucks says they use CCI to fake the crowds in the parade scene...

5. Heathers. Luckily I really can't see this one flying in a post-Columbine world ("Wait, they wanna do WHAT?") but you never know. No, you don't, Heather, you never know...

Sunday, August 7, 2011

Spotted


I think many of us have probably, at some point in our lives, locked eyes with or shared a smile with a hottie on public transport or walking down the street and thought I wonder...

If you're on a bus or a train then having someone cute to stare at during an otherwise-boring trip makes the time go faster, which is nice. Plus you can always daydream that he or she has become entranced by your beauty and/or impressed by that copy of Crime and Punishment you're pretending to read. As someone who never gets hit on by charming boys in public places (I'm pretty sure that having someone scream "nice tits" out of a car window doesn't count) I find the idea of people who meet at bus stops, street corners or whatever and run off and be happy together utterly endearing.

So perhaps this story courtesy of Perth Now should make me happier than it does. If you can't be bothered clicking the link, the gist is that a British man who spotted "the girl of his dreams" on a Perth bus appealed in last week's Sunday Times to try and find his wench and now some girl has come forward, saying it might be her.

IT was the chance encounter on a crowded Perth bus that could turn into a great WA love story. Not only has British man Chris Barnes located the "girl of his dreams" but she's single and happy to be friends, at least on Facebook. After launching his search for a brunette who caught his eye on the 400 bus to Scarborough, student Vivienne Smith, 20, has come forward, believing she could be the one.

Heartwarming stuff I'm so sure but there are a few things that concern me about this story.

1. Anyone who thinks that they have found the girl/boy of his/her dreams based purely on seeing someone at a distance is potentially a little bit cracked. Looks matter and all - and I can't imagine falling for someone with a lovely personality if I didn't also want to jump them just a little bit - but, come on. Just because someone looks hot does not mean that he or she is not a dick/nazi/mouth breather. Maybe a quick conversation before you declare undying love, eh?

2. The girl involved claims that she "instantly recognised" the description the guy had used when she read the article. How did the guy describe her, you might ask?. He said: "The Glendalough girl was just such a beautiful creature." Maybe I just have low self esteem but unless you're Heidi Klum I think that anyone who reads the words "beautiful creature" and thinks "that's SO me" has some... problems.

3. So this girl has come forward but neither she - nor the guy - is quite sure if she is the right girl or not, even after pictures have been exchanged. She mentions that she looks different now because she's had her hair extensions taken out (hmmm) and at no point mentioned if she even noticed him on the bus. For his part he says he is "pretty sure" that the girl in the photo "could well be" the same girl and hopes to make it back to WA, uh, maybe later this year. Wow. I mean, just WOW. That's love, right there. If these two crazy kids can't make it work then I don't know what the world is coming to.

Make it Work


It's back: reality TV show extraordinaire and one of my all-time favourite guilty pleasures, Project Runway, has returned to our screens. I know it's the done thing to be all snoot-snooty about reality TV but, as far as I'm concerned, Project Runway is The Shit.

Much of the credit has to be laid at the feet of the judges and in particular, I suppose, Heidi Klum, who fronts the show and does her best to anchor it. The thing to understand about Heidi is that she likes to wear very very short dresses. I mean, okay, maybe that's not The Thing but that's definitely A Thing you should remember about her. Do not try to make Heidi cover up her legs or suggest she should wear something that covers The Good China or you will regreat it. No, the other thing about Heidi is that she just seems like she's having a great time. While her fellow judges fret and frown Heidi constantly seems like she's just back in town after spending a week having cocktails and hot monkey sex with Seal on a beach somewhere. Even when she's ripping into someone she keeps that beautiful smile on her face and that twinkle in her eye. Plus, you know, she's really pretty. How does she do that?

Nina Garcia is also a hot piece of arse but in a different way. She's very glossy, very serious and can basically shoot laser beams out of her eyes/cut a bitch. If you want to impress someone it's probably Nina because unlike Heidi she's not half cut on pre-show cocktails and unlike Michael Kors she hasn't spent the past hour coming up with cutting one-liners. Nina actually seems to care about the clothes. In many ways this means she has the most boring, least rewarding role on the show but the net result is that she plays a great straight woman to a) Heidi's hilarity b) The Madness of Michael Kors.

Because Michael Kors. Oh. My. God. Never let it said that the man is not talented because, yes, he's a hugely successful designer. But on Project Runway Kors shines not just like a man whose love of fake tan has reached dangerous levels (although, seriously) but like a man who has just come off his meds. This is a man who is not afraid to stick the boot in when he doesn't like what the designers have served up. The following are things Kors has actually said on the show about designs created by designers who are standing right in front of him.

“She looks like a Pole dancer in Dubai”

“She looks like an Amish Cocktail Waitress”

“She looks like a transvestite flamenco dancer at a funeral”

“She looks like her ass is in her front.”

“She looks like Barefoot Appalachain Lil’ Abner Barbie.”

But it's not all about the judges. The thing that makes Project Runway good and the reason that I watch it is that the contestants actually have talent. I mean oodles and oodles of talent. The things they can do with a bedsheet or a bunch of plastic cups and some thread are truly mind-boggling and some of the clothes they produce in about 24 hours are staggeringly beautiful. Yes, others manage to churn out some Red Hot Messes but that, naturally, is part of the appeal. Unlike some famewhores I can mention the vast majority of designers also appear to be there to, you know, become better designers or to have a shot at their own line, as opposed to a burning desire to Become Famous. Accordingly the editors do, thank Christ, do their best to avoid endearing backstories until the last few episodes and concentrate on the competition and the clothes, which are bloody exciting enough thankyou very much.

And acting as a bridge between the judges and the contestants, mugging for the cameras and weeping when his favourites depart is the loveable Tim Gunn, mentor/voice of reason to the contestants and silver fox, if you like that sort of thing. I know I said earlier that Heidi does her best to anchor the show but forget that, it's Tim who really holds it all together with his nods to the viewing audience and the blend of devastatingly criticism and wishful-thinking praise he doles out to the contestants. Although he appears onscreen Tim somehow manages to be that best of all things: the snide friend, sitting on our couch and drinking wine, saying what a bitch that Gretchen is and how he hopes Wendy Pepper dies in a freak yachting accident. Grab us another glass, Tim, and microwave me some popcorn while you're at it - the show's about to start.

Friday, July 29, 2011

Token Smokin' Hottie: Bradley Cooper


Honestly, I'm as shocked as you are. I'm not supposed to fancy Bradley Cooper, I know that. I like skinny boys and he has muscles. His jaw is square and I like pointy chins. His skin is golden and for the most part I like pale boys, unelss we're talking Gael Garcia Bernal. And the hair? The hair is too much. I guess what I'm trying to say it that BC is... he's just too... look, I don't know how to say this but he is just too damn handsome, okay? And yet...

I fancy him.

I don't know how this happened but I do know when it happened: while I was watching The Hangover II. The film was... not great but BC almost managed to carry it off, such was the force of his charisma. When he smiled his smarmy-yet-dopey smile I swooned just a little bit. When he (er, spoiler?) got shot I suggested quietly that perhaps he should take off his shirt. Dude has gravitas.

Then I saw Limitless which, again, is not a fantastic bit of filmaking (but is, I think, a fairly enjoyable romp). Once again I was entranced by BC, who plays the lead role, alternately between a loser writer and a smarmy rich git. Sure, I swooned over him as a loser writer but I even fancied him when he was being a dick and driving sports cars super fast! Also for the first time it occurred to me that he's actually a pretty good actor. And the eyes! My god he has pretty eyes.

So now I don't know what to think - my world has been turned upside down and I'm left feeling alone and confused. I don't know who I am, what I stand for and what to believe in anymore. But I do know one thing: I fancy the pants off Bradley Cooper. And so should you.

Tuesday, July 26, 2011

Lady Solitude


I've always enjoyed being on my own and I don't understand people who don't. It's something I miss since I've moved in with Boyfriend Andy: because I leave the house in the morning before him and generally return to it after he is already home I don't have much time to myself. Even if I'm sitting on the couch, with BA in another room, I'm aware of him, wondering what he's doing, thinking about what we should do with the rest of our night.

Which may be why this excellent essay by William Dersiewicz, called The End of Solitude, interests me so much. Dersiewicz's essay is, more or less, an argument on the benefits of solitude. A much shorter, much more readable version of Walden maybe, but factoring in the influence of the internet and television age.
"If six hours of television a day creates the aptitude for boredom, the inability to sit still, a hundred text messages a day creates the aptitude for loneliness, the inability to be by yourself. Some degree of boredom and loneliness is to be expected, especially among young people, given the way our human environment has been attenuated. But technology amplifies those tendencies. You could call your schoolmates when I was a teenager, but you couldn't call them 100 times a day. You could get together with your friends when I was in college, but you couldn't always get together with them when you wanted to, for the simple reason that you couldn't always find them. If boredom is the great emotion of the TV generation, loneliness is the great emotion of the Web generation. We lost the ability to be still, our capacity for idleness. They have lost the ability to be alone, their capacity for solitude."

You can read the rest if you follow the link above. I should also mention that I stumbled onto the essay thanks to Sam De Brito's latest column for the Sydney Morning Herald, which you can find by clicking on the links on the right hand side of the page.

Friday, July 15, 2011

The sun'll come out tomorrow


I was having an awfully shit time at work recently. After more than three years doing the same job I was bored and my motivation was at an all-time low. I mentioned this to my boss (in slightly more delicate terms than I've used above) and he suggested something very simple and, in hindsight, very obvious.

"Book some holidays," he said. "You need something to look forward to."

He was right and not just about work. I know the healthy thing is supposed to be to live in the moment and neither linger in the past or obsess about the future. But the problem with this theory, for me at least, is that without anticipation I'd go mad.

I refer you to the late great Alfred Hitchcock (and as an aside: MAN does Rear Window still hold up as amazing movie), who said: "There is no terror in a bang, only in the anticipation of it."

Somehow everything is better tomorrow: In Tomorrowland I'll somehow be more successful, smarter, prettier and come into a large sum of money donated by a dead rich relative I never knew I had. That cardigan I ordered from ASOS will arrive and be awesome, that party next month will be better than all the other parties I've ever been to.

It's not really about cardigans, obviously, but if I didn't think I had something to look forward to I wouldn't be able to get out of bed in the morning.

The downside is that sometimes this kind of attitude translates into a complete failure to enjoy the good times when they arrive. The cardigan/party/holiday comes and I'm already anticipating the cardigan unravelling, the next day hangover or my return to work. Or I'll be in the middle of my Good Time, whatever it is, and start to wonder: am I having enough fun? Is this as good as I thought it'd be? What will I do next?

Tomorrow I fly out to Broome for the week for a much-anticipated family holiday: my first in years and years. But what should I be happy about? The fact that I'm sitting on my couch right now, sipping a tasty Rose and watching the Tour de France with narry a care in the world? Or should I be happy because I'm already anticipating the plane touching down in Broome tomorrow, wondering what my room will look like and if the Staircase to the Moon is really that awesome?

These are questions to which I have no answer. But I do know this: I am not going to think about bad it's going to feel when it's over. I am not going to think about how bad it's going to feel when it's over. I'm not going to... well, I think you get the idea.

I'm on holiday


Normal service should resume in, er, a week or so. Until then I give you smoking hottness of one Monica Belluci, just to make up for all those Token Smokin' Hotties my male readers have had to put up with over the years.

Wednesday, July 13, 2011

Hot Air


I'm so sick of talking about the carbon tax. It's getting to the point where I'm dreading social situations because I'm scared that someone's going to ask me about it and I'm going to implode. It's not that I don't care about the issue, it's that I can no longer quite bear to read page upon page about it every morning or - worse - listen to some of the morons who call into talkback radio bleat on about things they don't understand. I think the final straw was watching footage on the news tonight of Julia Gillard being heckled at a shopping centre. Forget about the issues, I couldn't take my eyes off the hideous lime green jumper her heckler was wearing. And the hair! Don't get me started.

That much said this article about the carbon tax, passed on by Dave, made me laugh, which is a first. I'm particularly fond of the phrase "a dozen retards trying to fuck a doorknob". Nice.

Sunday, July 10, 2011

This is apropos of nothing but...

This is the worst bit of advice I've ever fucking heard from a sex columnist. Try googling "cuckholding" you moron. I can only wonder what the wonderful Dan Savage would make of it. Bah!

Friday, July 8, 2011

It wasn't enough

I was driving around town yesterday running some errands when I started crying. It started with a sniffle and a bit of redness around the eyes. It ended with me absolutely BAWLING. No I wasn't having a mental breakdown, I was cryng because I was listening to The Moth podcast on my iPhone. For those of you who aren't familiar with The Moth it's a group run by some people who are interested in 'the art of storytelling' so they hold nights on which people - sometimes randoms, sometimes famous people - get onstage in front of a crowd to tell stories on a variety of topics: sometimes funny, sometimes sad, sometimes just weird. In this case the podcast I was listening to was by a woman called Charlene Strong. I don't want to spoil it by going into any detail on what she was talking about but if you're interested you can click here to listen to it and you really really should. Don't cry!

Wednesday, July 6, 2011

Cute Wednesday

Sometimes I like to use this blog to expolore some controversial or contentious topics. At other times I just like to post youtube clips of an insanely cute Boston Terrier having its belly rubbed.

Tuesday, July 5, 2011

Nice to meet you, I'm a total dickhead


First impressions count.

Earlier this week a guy I have worked with in the same office for years - but have never previously spoken to - was a rude c*nt to me for absolutely no reason and over something that had absolutely nothing to do with me. It's too complicated/boring to explain here but basically he fucked something up and then gave me attitude for not immediately fixing the problem for him without being asked.

He must have seen the What The Fuuuck expression on my face because he came over to my desk later and apologised. But if someone asked me today what I thought of him I'd say - despite the fact that I've always admired his work and despite his apparently genuine apology - that he seems like a prick.

Is he a prick? I have no idea. A prick probably wouldn't have apologised but because this was the first proper interaction I've ever had with him it's coloured how I see him in a very particular way.

This is terrifying, really, when you consider how many first impressions we must all make on people all the time. I like to think I'm generally a nice and reasonably friendly person but when I'm in a foul mood or am having an awful day, then no doubt I too can act in an unpleasant way. To me it seems fair enough if somebody I know well enough thinks I'm rude or a dickhead or a moron because, hey, that's their perrogative and maybe I am. But the idea that someone might think badly of me based on one stupid interaction, when maybe I was just really tired or sick or just had a fight with my boyfriend, is a little depressing.

On the flipside, it's worth remembering that while first impressions count, they don't have to last forever. once upon a time I met a guy at a friend's place who thought I was (he told me later) both way too loud and dressed unappealing like a tomboy. Nine years later that poor sucker is my boyfriend.

Monday, June 27, 2011

Quiz nights: the best and the worst


THE BEST: When you know the answer.

THE WORST: When everyone else in your team also knows the answer and you wind up shaming yourself by saying it really loudly, just to prove you know it too.

THE BEST: When you know the answer to a kind of obscure question.

THE WORST: When it turns out that answer you "knew" was actually wrong and the answer your teammate suggested, which you mocked, was right.

THE BEST: Learning kind of cool - if trivial - facts.

THE WORST: When the questions relate to something you couldn't give two shits about, such as the AFL. I mean, sure it might be nice to be able to list the teams in order of where they're placed on the ladder but wouldn't you rather know which world city drinks the most booze per head of population?

Tuesday, June 21, 2011

This is water


I've been finding it hard to come up with blog topics lately. I'm not sure why. Probably it's just because, although I actually have loads of shit going on, very little of it is stuff that I can blog about. So instead I've reprinted here (an edited version of) a speech delivered by American essayist and novelist David Foster Wallace, widely regarded as a genius, who killed himself a little under three years ago. He delivered this speech to a graduating class at Kenyon College, Ohio and it's interesting stuff, much better than anything I could write here but with lots of ideas I agree with. I wish someone had busted out this stuff at MY graduation.
"There are these two young fish swimming along, and they happen to meet an older fish swimming the other way, who nods at them and says, "Morning, boys, how's the water?" And the two young fish swim on for a bit, and then eventually one of them looks over at the other and goes, "What the hell is water?"

If you're worried that I plan to present myself here as the wise old fish explaining what water is, please don't be. I am not the wise old fish. The immediate point of the fish story is that the most obvious, ubiquitous, important realities are often the ones that are the hardest to see and talk about. Stated as an English sentence, of course, this is just a banal platitude - but the fact is that, in the day-to-day trenches of adult existence, banal platitudes can have life-or-death importance. That may sound like hyperbole, or abstract nonsense. So let's get concrete ...

A huge percentage of the stuff that I tend to be automatically certain of is, it turns out, totally wrong and deluded. Here's one example of the utter wrongness of something I tend to be automatically sure of: everything in my own immediate experience supports my deep belief that I am the absolute centre of the universe, the realest, most vivid and important person in existence. We rarely talk about this sort of natural, basic self-centredness, because it's so socially repulsive, but it's pretty much the same for all of us, deep down. It is our default setting, hard-wired into our boards at birth. Think about it: there is no experience you've had that you were not at the absolute centre of. The world as you experience it is right there in front of you, or behind you, to the left or right of you, on your TV, or your monitor, or whatever. Other people's thoughts and feelings have to be communicated to you somehow, but your own are so immediate, urgent, real - you get the idea. But please don't worry that I'm getting ready to preach to you about compassion or other-directedness or the so-called "virtues". This is not a matter of virtue - it's a matter of my choosing to do the work of somehow altering or getting free of my natural, hard-wired default setting, which is to be deeply and literally self-centred, and to see and interpret everything through this lens of self.

By way of example, let's say it's an average day, and you get up in the morning, go to your challenging job, and you work hard for nine or ten hours, and at the end of the day you're tired, and you're stressed out, and all you want is to go home and have a good supper and maybe unwind for a couple of hours and then hit the rack early because you have to get up the next day and do it all again. But then you remember there's no food at home - you haven't had time to shop this week, because of your challenging job - and so now, after work, you have to get in your car and drive to the supermarket. It's the end of the workday, and the traffic's very bad, so getting to the store takes way longer than it should, and when you finally get there the supermarket is very crowded, because of course it's the time of day when all the other people with jobs also try to squeeze in some grocery shopping, and the store's hideously, fluorescently lit, and infused with soul-killing Muzak or corporate pop, and it's pretty much the last place you want to be, but you can't just get in and quickly out: you have to wander all over the huge, overlit store's crowded aisles to find the stuff you want, and you have to manoeuvre your junky cart through all these other tired, hurried people with carts, and of course there are also the glacially slow old people and the spacey people and the kids who all block the aisle and you have to grit your teeth and try to be polite as you ask them to let you by, and eventually, finally, you get all your supper supplies, except now it turns out there aren't enough checkout lanes open even though it's the end-of-the-day rush, so the checkout line is incredibly long, which is stupid and infuriating, but you can't take your fury out on the frantic lady working the register.

Anyway, you finally get to the checkout line's front, and pay for your food, and wait to get your cheque or card authenticated by a machine, and then get told to "Have a nice day" in a voice that is the absolute voice of death, and then you have to take your creepy flimsy plastic bags of groceries in your cart through the crowded, bumpy, littery parking lot, and try to load the bags in your car in such a way that everything doesn't fall out of the bags and roll around in the trunk on the way home, and then you have to drive all the way home through slow, heavy, SUV-intensive rush-hour traffic, etc, etc.

The point is that petty, frustrating crap like this is exactly where the work of choosing comes in. Because the traffic jams and crowded aisles and long checkout lines give me time to think, and if I don't make a conscious decision about how to think and what to pay attention to, I'm going to be pissed and miserable every time I have to food-shop, because my natural default setting is the certainty that situations like this are really all about me, about my hungriness and my fatigue and my desire to just get home, and it's going to seem, for all the world, like everybody else is just in my way, and who are all these people in my way? And look at how repulsive most of them are and how stupid and cow-like and dead-eyed and nonhuman they seem here in the checkout line, or at how annoying and rude it is that people are talking loudly on cell phones in the middle of the line, and look at how deeply unfair this is: I've worked really hard all day and I'm starved and tired and I can't even get home to eat and unwind because of all these stupid goddamn people.

Or if I'm in a more socially conscious form of my default setting, I can spend time in the end-of-the-day traffic jam being angry and disgusted at all the huge, stupid, lane-blocking SUVs and Hummers and V12 pickup trucks burning their wasteful, selfish, 40-gallon tanks of gas, and I can dwell on the fact that the patriotic or religious bumper stickers always seem to be on the biggest, most disgustingly selfish vehicles driven by the ugliest, most inconsiderate and aggressive drivers, who are usually talking on cell phones as they cut people off in order to get just 20 stupid feet ahead in a traffic jam, and I can think about how our children's children will despise us for wasting all the future's fuel and probably screwing up the climate, and how spoiled and stupid and disgusting we all are, and how it all just sucks ...

If I choose to think this way, fine, lots of us do - except that thinking this way tends to be so easy and automatic it doesn't have to be a choice. Thinking this way is my natural default setting. It's the automatic, unconscious way that I experience the boring, frustrating, crowded parts of adult life when I'm operating on the automatic, unconscious belief that I am the centre of the world and that my immediate needs and feelings are what should determine the world's priorities. The thing is that there are obviously different ways to think about these kinds of situations. In this traffic, all these vehicles stuck and idling in my way: it's not impossible that some of these people in SUVs have been in horrible car accidents in the past and now find driving so traumatic that their therapist has all but ordered them to get a huge, heavy SUV so they can feel safe enough to drive; or that the Hummer that just cut me off is maybe being driven by a father whose little child is hurt or sick in the seat next to him, and he's trying to rush to the hospital, and he's in a much bigger, more legitimate hurry than I am - it is actually I who am in his way.

Again, please don't think that I'm giving you moral advice, or that I'm saying you're "supposed to" think this way, or that anyone expects you to just automatically do it, because it's hard, it takes will and mental effort, and if you're like me, some days you won't be able to do it, or you just flat-out won't want to. But most days, if you're aware enough to give yourself a choice, you can choose to look differently at this fat, dead-eyed, over-made-up lady who just screamed at her little child in the checkout line - maybe she's not usually like this; maybe she's been up three straight nights holding the hand of her husband who's dying of bone cancer, or maybe this very lady is the low-wage clerk at the Motor Vehicles Dept who just yesterday helped your spouse resolve a nightmarish red-tape problem through some small act of bureaucratic kindness. Of course, none of this is likely, but it's also not impossible - it just depends on what you want to consider. If you're automatically sure that you know what reality is and who and what is really important - if you want to operate on your default setting - then you, like me, will not consider possibilities that aren't pointless and annoying. But if you've really learned how to think, how to pay attention, then you will know you have other options. It will be within your power to experience a crowded, loud, slow, consumer-hell-type situation as not only meaningful but sacred, on fire with the same force that lit the stars - compassion, love, the sub-surface unity of all things. Not that that mystical stuff's necessarily true: the only thing that's capital-T True is that you get to decide how you're going to try to see it. You get to consciously decide what has meaning and what doesn't. You get to decide what to worship.

Because here's something else that's true. In the day-to-day trenches of adult life, there is no such thing as atheism. There is no such thing as not worshipping. Everybody worships. The only choice we get is what to worship. And an outstanding reason for choosing some sort of god or spiritual-type thing to worship - be it JC or Allah, be it Yahweh or the Wiccan mother-goddess or the Four Noble Truths or some intangible set of ethical principles - is that pretty much anything else you worship will eat you alive. If you worship money and things - if they are where you tap real meaning in life - then you will never have enough. Never feel you have enough. It's the truth. Worship your own body and beauty and sexual allure and you will always feel ugly, and when time and age start showing, you will die a million deaths before they finally plant you. On one level, we all know this stuff already - it's been codified as myths, proverbs, clichés, bromides, epigrams, parables: the skeleton of every great story. The trick is keeping the truth up front in daily consciousness. Worship power - you will feel weak and afraid, and you will need ever more power over others to keep the fear at bay. Worship your intellect, being seen as smart - you will end up feeling stupid, a fraud, always on the verge of being found out.

The insidious thing about these forms of worship is not that they're evil or sinful; it is that they are unconscious. They are default settings. They're the kind of worship you just gradually slip into, day after day, getting more and more selective about what you see and how you measure value without ever being fully aware that that's what you're doing. And the world will not discourage you from operating on your default settings, because the world of men and money and power hums along quite nicely on the fuel of fear and contempt and frustration and craving and the worship of self. Our own present culture has harnessed these forces in ways that have yielded extraordinary wealth and comfort and personal freedom. The freedom to be lords of our own tiny skull-sized kingdoms, alone at the centre of all creation. This kind of freedom has much to recommend it. But there are all different kinds of freedom, and the kind that is most precious you will not hear much talked about in the great outside world of winning and achieving and displaying. The really important kind of freedom involves attention, and awareness, and discipline, and effort, and being able truly to care about other people and to sacrifice for them, over and over, in myriad petty little unsexy ways, every day. That is real freedom. The alternative is unconsciousness, the default setting, the "rat race" - the constant gnawing sense of having had and lost some infinite thing.

I know that this stuff probably doesn't sound fun and breezy or grandly inspirational. What it is, so far as I can see, is the truth with a whole lot of rhetorical bullshit pared away. Obviously, you can think of it whatever you wish. But please don't dismiss it as some finger-wagging Dr Laura sermon. None of this is about morality, or religion, or dogma, or big fancy questions of life after death. The capital-T Truth is about life before death. It is about making it to 30, or maybe 50, without wanting to shoot yourself in the head. It is about simple awareness - awareness of what is so real and essential, so hidden in plain sight all around us, that we have to keep reminding ourselves, over and over: "This is water, this is water.""

Sunday, June 19, 2011

"You can't respect somebody who kisses your arse."

I'm not going to talk about why Ferris Bueller's Day Off is not just an awesomely engaging and funny movie but a brilliant guide for how to live your life (although if you're interested, read this). All I know is that it's impossible to watch this parade scene and not feel just a teensy tiny bit happier.

Monday, June 13, 2011

"Maybe someday, maybe not": the immortal lines of Dylan McKay


Look, either you were young enough and sad enough to fall madly in love with Dylan McKay in the seminal 90s teen drama Beverly Hills: 90210 or you were not.

If you were not then there's really nothing I can say that convince you that Luke Perry's portray of Dylan as 90210's disaffected rich bad boy made teen girls around the globe go week at the knees. I mean, I was one of those girls and looking at Perry's craggy face and remembering how he used to have this impossibly lame answerphone message ("This is Dylan, you know the drill... *beep*") even I have the decency to be embarassed.

That much said Hello Giggles has come up with a list of the Top Ten Best Things Dylan McKay Has Ever Said and it's almost enough to rekindle my love for the pretentious bastard.

Here's just a little taster of some of the bon mots he has to offer.
Brenda: “You want to take a walk on the beach or something?”
Dylan: “Yeah and check out the HOMELESS PEOPLE that would be GREAT.
Oh, Dylan, even when you're being a dick to some girl you're supposed to like you still know when to mix in a bit of social commentary to keep shit real.

Sunday, June 12, 2011

Pros and cons: the literary clutch



Pro: These clutch bags made up to look like famous books, by France's Olympia Le-Tan, may be the single cutest thing I have ever seen in my life.

Con: They will, however, make you look like you're simply carrying around a hardcover book to dinners, parties and the like. Which is to say that you will look like the world's biggest wanker.

Pro: But they're so purty. Plus Lolita is genuinely an awesome book and Moby Dick is... well I hear good things.

Con: 950 euros apiece. Which is quite a lot of money to have people think you might be a pretentious tosser.

Token Smokin' Hottie: Charlie Fink


It's a cliche to say that dudes start bands in order to get laid. And yet I can only imagine that it's working wonders for Charlie Fink, lead singer of delightful British band Noah and the Whale.

Sure it doesn't hurt that he's already got a certain something something with the hair, the eyes and a cheeky smile. (Of the denim shirt he is attempting to rock in the above photo I will not speak). It doubly doesn't hurt that both Charlie and the rest of the band seem completely fucking adorable, as evidenced by this delightful interview. ((Yes I am a complete sucker for anyone who professes to love the film Rushmore as much as I do but it's more than that: there is pretty much nothing sexier than a dude who can be spontaneously funny. Seriously, I think I'm in love with the entire band, particularly his super hot brother Doug who has sadly since left the band to save lives or something.)

But, really what it comes down to is that I've been listening to quite a bit of Noah and the Whale lately and I would give just about anything to be able to do what they do. And yet if it was a choice between waking up one day with a big fat bundle of musical talent or getting to spend a filthy weekend with Charlie, several bottles of wine and a big fuck off bed I can't say for sure I would do the right thing. I mean, seriously, getting to touch the hair alone would be totally worth it.

Thursday, June 9, 2011

Personal information I now know about the woman who waxes my Good China after one 20 minute appointment

1. She has never been to Bali
2. She never wants to go to Bali
3. She is happily coupled-up with an older man who is not very fit
4. She and her partner enjoy 4WD holidays in WA.
5. She and her partner have twice (twice?!) had to be rescued while on 4WD holidays in WA
6. She does not have kids
7. She could not recognise an expression of pure agony on a fellow human being's face to save her life.